Goat Barn for the Edible Schoolyard

goat barn sketch

I designed my 118 SF  barn to accommodate three Oberhaslis goats in comfort.

I’ve been having a lot of fun designing a tiny barn to house three Oberhaslis goats for the Edible Schoolyard in Berkeley. The project is just a schematic concept thus far, but will not require much more design if I get the proportions about right. I love to design little buildings, the more utilitarian the better, especially when in support of urban agriculture. It’s been about 14 years since I designed and built the Tool Barn for the Edible Schoolyard, so I’m happy to have a chance to add a companion structure to the program. If the goat barn project is funded, I’ll most likely build it myself from trees felled and milled on our property over the summer. For now, the concept flows easily from my sharpened pencil on graph paper at 1/4″= 1′-0″ scale, my favorite way to begin any project.
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The nototriously quiet Oberhaslis goat will need to be milked twice a day.

Maritime Micropolis

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The Berkeley Marina is a seasonal, maritime micropolis.

Spending more and more time at the Berkeley Marina on board Suddenly has me thinking about the role ports and harbors have played in the development of a city’s character. With the salmon season in swing and the sailing season gearing up, the marina has been abuzz with activity, a floating city within the City.

The marina is a liminal place between urban neighborhoods and open water, combining elements of each in the comportment of its inhabitants. You feel a connection to the great cities of antiquity that must have grown around their natural harbors, San Francisco being the most recent to be discovered. Both Berkeley and San Francisco have developed over landfills that were recently water, houses built over the ghosts of neglected and abandoned hulls.

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Abandoned ships dominated Yerba Buena Bay during the Gold Rush. (from a daguerreotype by William Shew)

Accidental Seascapes #1 & #2

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Accidental Seascapes #1 and #2, 45″ x 11.5″ each, plywood, WD-40, cement-all.

Removing the forms from my Deep Deck mold, I was surprised and delighted to find two accidental seascapes emerge on the plywood sides that were in contact with the curing concrete. I sprayed the boards with WD-40 as a release agent before making a total of six successive pours, and the process and chemical reaction left a beautiful range of marks and colors, penetrating deep into the wood fibers.

Deep Deck Mold

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The two-part concrete mold is released from the plywood form.

I’m building a hydraulic press to make cold-molded skateboard decks in anticipation of scaling up my production and capabilities. The first step is to build a form around a wooden ‘blank’ to support an investment of cast concrete. I took some time to make a dedicated, uncut ‘master’ deck that reflects the complex contours I’ve developed through years of prototyping. The two-part concrete mold will be supported by a steel armature that allows a five ton bottle jack to press wood veneers into shape. Lacking the funds to actually purchase the commercial equivalent, I’ve opted to build my own. I love when making an investment is just that, actually making an investment, and the inherent risk is born out in the skill of the investment-maker.

Hayride Revisited

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My Hayride bench sits on top of a straw bale for outdoor events.

It’s been close to ten years since I designed and prototyped my Hayride bench concept. The first batch was commissioned for the Children’s Garden at Copia, a cultural and educational venue in Napa. I’ve since made small batches of the design, improving its construction and functionality with each iteration. Made from locally milled white oak, my latest model will be on display at showrooms in Sonoma and Healdsburg in anticipation of a production run this summer. I’m still working out Hayride’s manufacturing logistics and price points, but the design stacks for ease of packing and shipping, and I’m considering developing a folding version.

MacGregor’s ‘Rob Roy’

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Sleeping aboard ‘Suddenly’ for the first time last night I discovered the perfect situation for reading and dreaming about a voyage. Snug in the harbor of the Berkeley Marina while the sailboat rolled and bobbed in the wind and changing tides, I switched between “1000 Miles in the Rob Roy Canoe” (1865) and “The Voyage Alone in the Yawl Rob Roy” (1868), both by John MacGregor.  I first stumbled upon the Scottish explorer’s writings while researching the right boat to build for day trips on my favorite local waterways, Tomales Bay and Estero Americano. I’ve since purchased plans of the Rob Roy concept adapted by Ian Oughtred, and plan to build my own version as a back-burner project in the shop over the next year or so. My favorite writings whet the appetite for adventure, so I wanted to share some excerpts from each of MacGregor’s sequential books. The first chronicles MacGregor’s journeys on the major rivers of Northern Europe in a 15′ kayak/canoe, and the second is an account of a voyage across the English Channel in a scaled up version of a similar design, albeit sans paddle, with more sail area and a ballasted keel:

“Now these very things which bother the “pair oar,” become cheery excitements to the voyager in a canoe. For now, as he sits in his little bark, he looks forward, and not backward. He sees all his course, and the scenery besides. With one sweep of his paddle he can turn aside when only a foot from destruction. He can steer within an inch in a narrow place, and can easily pass through reeds and weeds, or branches and grass; can work his sail without changing his seat; can shove with his paddle when aground, and can jump out in good time to prevent a bad smash. He can wade and haul his craft over shallows, or drag it on dry ground, through fields and hedges, over dykes, barriers, and walls; can carry it by hand up ladders and stairs, and can transport his canoe over high mountains and broad plains in a cart drawn by a man, a horse, or a cow.
Besides all this, the covered canoe is far stronger than an open boat, and may be fearlessly dropped into a deep pool, a lock, or a millrace, and when the breakers are high in the open sea or in river rapids, they can only wash over the deck of a canoe, while it is always dry within.
The canoe is also safer than a rowing-boat, because you sit so low in it, and never require to shift your place or lose hold of the paddle; while for comfort during long hours, for days and weeks of hard work, the canoe is evidently the best, because you lean all the time against a swinging backboard, and when the paddle rests on your lap you are at ease as in an arm-chair; so that, while drifting along with the current or the wind, you can gaze around, and eat or read, or sketch, or chat with the starers on the bank, and yet, in a moment of sudden alarm, the hands are at once on the faithful paddle ready for action.
Finally, you can lie at full length in the canoe, with a sail as an awning for the sun, or a shelter for rain, and you can sleep at night under its cover, or inside it when made for that purpose, with at least as much room for turning in your bed as sufficed for the great Duke of Wellington; or, if you are tired of the water for a time, you can leave your boat at an inn–where it will not he “eating its head off,” like a horse; or you can send it home, or sell it, and take to the road yourself, or sink back again into the lazy cushions of a first-class carriage, and dream you are seeing the world.” (from ‘1000 Miles in the Rob Roy Canoe’, 1865) Continue reading “MacGregor’s ‘Rob Roy’”

“Stir thy lethargy!”

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My great-grandfather, Howard Heinkel, at Brigantine, c 1928 (still from home movie).

I’m lucky to have known my great-grandfather, Howard Heinkel, an extremely energetic Philadelphia doctor of German ancestry who lived to be a healthy, cogent 96. Gramps built one of the first houses on the island of Brigantine on the Jersey Shore, where he entertained three generations of kids and their families, beginning with his own three daughters in the 1920’s.

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Gramps, Grandma and their youngest, in front of the Brigantine Hotel (still standing).

Gramps was in most ways a forward-thinking man, what we might today call an ‘early adopter’. A health nut, he worked out on a rowing machine and stationary bicycle, did not smoke or drink, and practiced a form of homeopathy as a doctor, making many of his own remedies. He was also an avid and enthusiastic world traveler, treating batches of grandkids to Grand Tours of Europe by ship and cross-country road trips by car. He also shot beautiful 16mm home movies throughout his life, some of which I’ve had digitized (all of these stills are screen shots from his films).

A man of rigorous personal habit and routine, Gramps had a saying to accompany most major aspects of daily life. I only remember a few, my favorite being Stir thy lethargy!’, used playfully to animate people into action, his preferred default mode. This motto still pops into my head whenever I’m feeling discouraged and reminds me that sometimes all you need to do is to get the engine running in order for everything to fall into place. I was surprised recently when I stumbled upon the quote in its entirety, ‘Stir thy lethargy- go forth, expiate thy sins!’. I have not been able to find its origin, but it was quoted in association with freemasonry. I’d love to hear from anyone who can tap its source. Continue reading ““Stir thy lethargy!””