Ene and I were recently invited to be visiting artists at Waterfall Arts in Belfast, Maine. We will be facilitating a three day symposium on Deep Craft from November 13-16. When I was visiting the site over the summer I had the good fortune to meet David McLaughlin, an artist and set designer who lives […]
Category Archives: studio process
Radical Generosity
I had to hit the ground running upon my return home from travels abroad. Ene and I were scheduled to deliver the furnishings I made for the new Edible Schoolyard Dining Commons, and I had just one week to pull everything out of storage and prepare for final assembly and installation. The building’s completion had […]
Eggamoggin Reach Regatta
I’ve been a wooden boat enthusiast for over twenty years, so jumped at the opportunity to crew aboard my friend’s recently launched, Herreshoff-designed Buzzards Bay 30 in this year’s Eggamoggin Reach Regatta in and around Penobscot Bay. I flew into Maine from Oslo on a disorienting sequence of flights and arrived at the Belfast City […]
Tallin to Paarnu Countryside
The architecture and wood craft of the rural reaches of this region are remarkably consistent and appear not to have changed for centuries. Traditional wooden houses combine areas for livestock and threshing alongside living quarters under one roof. Roofing in this region consists of thin split shingles of aspen, overlapping in alternating rows, making silvery […]
Tvedestrand Sjekte
I arrived in Norway last week to meet Ene and Aili and a group of friends gathering from around the world to celebrate our friend Wencke’s 50th birthday. Wencke was hosting the group on her family’s compound in Tvederstand, a tranquil hamlet of wooden buildings on a fjord about 220 kilimeters South of Oslo. Tvederstrand […]
Bull Kelp Experiment 2
Ene and I returned to Salmon Creek Beach on the last negative low tide and harvested another load of stray kelp for a new experiment. I found a larger piece of tapered, round driftwood to use as a form for a basket and calculated how many strands of kelp would be required to make a […]
Beneficial End Use
My workshop produces no waste. When I make furniture I do my best to optimize the beneficial end use of the material that flows through my hands. I apply the same paradigm to wood scraps and shavings, and often derive as much pleasure from managing waste streams as from making functional objects. Deep Craft is […]